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江西艺缘精品推荐《湖北省造光绪元宝当十》

清代末期是一个银币、纸钞、铜币并行的年代,而至嘉庆年间才开始发行新式银元,直至光绪年间金、银币才较为广泛的铸行。据悉,两广总督张之洞曾于光绪十三年委托使英大臣在英国订购全套造币机器,并在广东钱局首铸机制银元和铜元。其后,各省纷纷仿效,购制国外机械铸造银、铜元,而光绪元宝就在这个时期应运而生。

At the end of the Qing Dynasty, a silver coin, a banknote, and a copper coin were in parallel. It was only during the Jiaqing period that a new silver dollar was issued. Until the Guangxu period, gold and silver coins were more widely cast. It is reported that the Governor of Guangdong and Guangxi, Zhang Zhidong, entrusted the British Minister to order a full set of coinage machines in the UK in the 13th year of Guangxu, and the first casting mechanism of the silver dollar and the copper yuan in the Guangdong Money Bureau. Since then, the provinces have followed suit to purchase foreign machinery to cast silver and copper, and Guangxu Yuanbao came into being at this time.

                

此枚光绪元宝直径:2.8cm;重量:7.2g,光绪元宝湖北省造当十铸造于公元1902年(光绪二十八年)左右。湖北光绪元宝当十版别之分字体上有大北、小北之分。龙身麟甲有六路、七路、八路之别。龙身火珠有小火珠大火珠之分,大火珠又有火焰左飘和右飘之别。小火珠有包环无环之分。还有龙胸无云、瓜在须外、龙头无云、珠圈水龙、特大龙、珠圈旱龙、立龙、坐龙等版别。

The diameter of this Guangxu ingot: 2.8cm; weight: 7.2g, Guangxu Yuanbao, Hubei Province, made ten castings in about 1902 (Guangxu twenty-eight years). Hubei Guangxu Yuanbao is divided into Dabei and Xiaobei on the tenth edition of the font. The dragon body has a six-way, seven-way, and eight-way. The dragon body fireball has a small fireball and a large fireball. The big fireball has a flame left and a right float. Small fireballs have a ring and a loop. There are also dragons and chests without clouds, melons in the outer, faucet without clouds, beaded water dragons, extra large dragons, bead ring dragons, Lilong, sitting dragons and other editions.

                    

此枚藏品正面圈内铸有铭文“光绪元宝”,珠圈外上环铸楷体“湖北省造”四字,中央六瓣梅花纹饰,底部铸货币价值:“当十”。钱背中心为蟠龙图,纹饰精美,龙鳞细腻,线条优美,流畅堪然,铸造工艺精湛,定睛一看仿佛一条翱翔天际的神龙,栩栩如生,惟妙惟悄。上下环英文,左右各一圆点心。此枚铜币铸造工艺精湛,字体、图案都符合当时的铸造特征,满文书法根基牢固、运笔自如、浑厚有力,齿边等使用痕迹明显,包浆滋润,极具收藏价值。边上的穿的洞用来佩戴驱邪保平安,更加彰显其历史感。

The inscription on the front of the collection is inscribed with the inscription "Guangxu Yuanbao". The bead ring is cast on the upper ring and the body is made in Hubei Province. The central six-petal plum pattern and the bottom casting currency value: "When ten." The center of the money back is the dragon figure, the decoration is exquisite, the dragon scale is delicate, the lines are beautiful, the flow is smooth, the casting process is exquisite, and the eye-catching dragon looks like a soaring sky. It is vivid and vivid. The upper and lower ring is in English, and there is a round snack on each side. This copper coin casting process is exquisite, the fonts and patterns are in line with the casting characteristics at that time. The roots of the full textbook are firm, the pens are free and powerful, the edges of the teeth are obvious, the patina is moist, and it has great collection value.The hole worn on the side is used to wear evil spirits to protect the peace, which further demonstrates its sense of history.

湖北省造光绪元宝作为近代钱币中精美铸币之一,其确实风格独特,文化内涵丰富。龙乃中国的象征、中华民族文化的象征。该币工艺精湛,雕工完美,浮雕感强烈,镜面平整光滑,纹饰的相贯线显得非常清晰,字口、纹路和边齿深峻,完全是国外铸造的样币风格。钱币表面包浆醇厚,极具观赏性。楷书文字书法极为精湛、大气,间架结构平衡舒展,在龙洋里首屈一指。此枚湖北省造光绪元宝铜币当十所有字面、图案表面均依势圆润凸起、错落有致,有立体雕塑之感。文字间架结构大气磅礴,犹如墨迹饱满之时,令人叹为观止,背面水立龙,呈腾云之姿,令观者立感龙威浩荡!满文书法根基牢固、笔韵圆润;具有极高的收藏价值。

Hubei Guangxu Yuanbao is one of the fine coins in modern coins. It has a unique style and rich cultural connotations. Dragon is a symbol of China and a symbol of Chinese culture. The craftsmanship is exquisite, the carving is perfect, the relief is strong, the mirror surface is smooth and smooth, the intersecting lines of the ornamentation are very clear, the word mouth, the grain and the teeth are deep and deep, which is completely the foreign coin-like style. The surface of the coin is rich in patina and is very ornamental. The calligraphy of the script is extremely exquisite and atmospheric, and the structure of the frame is balanced and stretched. It is second to none in Longyang. This piece of Hubei Province made Guangxu Yuanbao copper coin. When all the words and patterns on the surface of the tenth are round and convex, they are scattered and have a sense of three-dimensional sculpture. The intertext structure is majestic, as if the ink is full, it is amazing, and the back of the water is standing upright, showing the posture of the clouds, making the viewer feel the mighty! The full-textual method is solid and the rhythm is round; it has a very high collection value.

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